Thanks to Brian for sending me this interesting article about Andrew Hill that appeared today in the New York Times: "His work is dense and knotty and difficult to play, but much of it is beautiful, aerated with song. In "Time Lines," his new record for Blue Note, commanding rhythms keep rising out of the stop-start melodic phrases; with pecking repetitions at the piano, Mr. Hill elongates the phrases at will. Like Thelonious Monk, he can make his music sound as if its composed parts are improvised and its improvised sections are composed. And like Monk's, his music is a balanced equation, with melody embedded in harmony and overlapping rhythms swimming in agreement. It has a mysteriously powerful internal integrity."
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