Ethan Iverson of The Bad Plus conducts an extensive interview with critic Stanley Crouch:
"... Mingus was one of the guys who needed to constantly reinvent himself--or at least develop an approach that allowed him to play all of jazz as he had come to know it from the range of bandstands on which he worked, which included Armstrong, Hampton, Ellington, Parker, Powell, and Monk. I am still fascinated by all the different ways he and Dannie Richmond came up with to play time. I had never heard before--and have rarely heard since--a bassist and a drummer who could so dramatically affect the direction and intensity of the music."
Mwanji scores big with an interview of Ken Vandermark:
"... Take the really basic kinds of forms. Head tunes like an Ornette tune where you have the theme and then a series of improvisations and then go back to the theme, or a bebop tune with a harmonic cycle that repeats. With Ornette you leave the cycle but you keep some kind of tonality or pan-tonality. Or the modal music, even, of Miles or Coltrane, a circular kind of form."
The New York Times bids farewell to Leroy Jenkins:
"... The violinist and composer Leroy Jenkins, one of the pre-eminent musicians of 1970s free jazz, who worked on and around the lines between jazz and classical music, died on Friday in Manhattan. He was 74 and lived in Brooklyn."
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Q&A with Martin Torgoff
2 hours ago