Big Road Blues has an essay about Blind Boy Fuller and his contemporaries: "Unlike blues artists like Big Bill or Memphis Minnie who recorded extensively over three or four decades, Blind Boy Fuller recorded his substantial body of work over a short, six-year span. Nevertheless, he was one of the most recorded artists of his time and by far the most popular and influential Piedmont blues player of all time. Fuller could play in multiple styles: slide, ragtime, pop, and blues were all enhanced by his National steel guitar."
Destination Out has an MP3 excerpt from a rare John Surman and Stu Martin collaboration: "The throbbing electronic pulse is surprisingly brutal and menacing, very proto-industrial. Martin’s drumming splits the difference between funk and clatter, while Surman’s fleet sax expertly surfs the various sine waves. Clocking in under five minutes, it’s also pretty fetching in its fashion, perhaps the very theme song to the mysterious radio serial these tunes were created to accompany."
Send comments to: Tim
Jazz Listings for May 29-June 4
28 minutes ago