A patriotic album that doesn't resort to brash jingoism... how refreshing! Drummer and composer Harris Eisenstadt has become a mainstay of the growing Brooklyn scene, while performing as a leader and a sideman around the world. Along with Eisenstadt are: Nate Wooley on trumpet, Matt Bauder on tenor saxophone, Chris Dingman on vibraphone and Eivind Opsvik on bass. Opening with "Don't Gild the Lilly," they strike a medium tempo with probing vibes and horns blowing across the musical landscape of vibes, bass and drums. Wolley takes a pinched sounding solo over rolling drum accompaniment that is fascinating in its own right. Bass begins "Halifax" with a mellow feel, adding saxophone and drums to the mix. Vibes enter and shimmer along the edges of the open and spacious music. "After an Outdoor Bath" is one of the finest performances on the album, opening with some strong full band playing, Bauder steps up with a deep, visceral tenor saxophone solo followed by sputtering spitfire trumpet. great shifting drum work anchors this exciting and exploratory performance. "And When To Come Back" slows things down a little bit with light percussion and soft vibes laying the groundwork for the tempered horns floating over the proceedings. After a lengthy bass solo, the full group returns to improvise and then close the song. "Kategeeper" and "Ups and Down" have a more rapid pace and plenty of room for the horns to stretch out and improvise impressively. It's a burden to lay on any group, but the music on this album reminded me of Eric Dolphy's masterpiece Out To Lunch more than anything else. The angular nature of the Eisenstadt's compositions, and the sparkling addition by Dingman's vibes made me think of the great inside/outside music recorded by the likes of Dolphy, Sam River and Bobby Hutcherson for Blue Note in the early to mid 1960's. It's heavy company, but well deserved.
Canada Day - amazon.com
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