Sunday, October 15, 2017

Cortex - Avant-Garde Party Music (Clean Feed, 2017)

Who says outsider music can't be fun? Cortex has become one of the best bands on the modern jazz scene and a personal favorite. (In fact, their Live in New York release was my album of the year for 2016.) The band consists of Thomas Johansson on trumpet, Kristoffer Alberts on saxophones, Ola Høyer on bass and Gard Nilssen on drums. The album's opening track "Grinder" develops confidently with brash horns and crisp rhythm, with a saxophone breaking out for an emotionally resonant solo, raw and acid toned, met by manic drumming that forces the music inexorably forward. There is crisp full band interplay, developing the music further, akin to the classic Ornette Coleman quartet and subsequently launching a punchy and powerful trumpet feature, blasting the music into the stratosphere. An urgent fanfare from the horns launches the track "Chaos" with the stop and go theme leading into a ripe trumpet and drums section that is thrilling in its intensity. Not to be outdone, Alberts takes off on an inspired feature of his own, with a deep toned and well articulated saxophone solo, reaching for ecstasy in the music of pure energy. The thick bass is the glue that holds them together as the rip into the choppy finale. "(If You Were) Mac Davis" is a fast and furious full band opening, a collective improvisation that is very loud and exciting, destroying everything in their path. The raw throated saxophone and punishing drums are particularly evident, with the full band as tight as the classic Masada line up, developing little snatches of themes that open wide lanes of inventive improvisation. There is a taut and powerful trumpet section then the two horns intertwine over propulsive bass and drums in a thrilling full band blowout. There is a stoic melody to "Disturbance" that develops lyrically with the horns harmonizing over a tight rhythm. A tightly coiled trumpet solo develops, crisply hitting the notes and interacting with the bass and drums. They come together for a loopy and fun conclusion, lightening the mood back to party mode. "Obverse / Reverse" develops a choppy and urgent theme with a deeply felt bass feature that ties everything together. Nilssen's drum solo is a personal statement that rolls forward dynamically and relentlessly like a force of nature. The closer is "Off Course" with some punishing drum work to open the piece. The bass and horns roar in with an exciting fanfare, letting loose a torrential saxophone solo, that has a paint-peeling texture to it. It sets up a blistering saxophone, bass and drums blowout that finally ebbs and everyone falls i together to stick the landing, closing out a superb album of modern jazz in grand style. Don't sleep on this, it's one of the best albums of the year, and this band is unstoppable. Avant-Garde Party Music - amazon.com

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