Tuesday, October 17, 2017

Ernest Dawkins’ New Horizons Ensemble Feat. Vijay Iyer - Transient Takes (Ernest Dawkins, 2017)

Saxophonist Ernest Dawkins and his band the New Horizons Ensemble encompass the history of modern jazz within their playing with Dawkins on saxophones, Isaiah Spencer on bass and Junius Paul on drums along with pianist Vijay Iyer, who is a guest on this session. The music moves easily from tight hard bop to ecstatic free jazz with a clear sense of purpose beginning with "Dawkness" which comes on strong to open the album with ripe saxophone and potent playing from the rhythm section. They set up a very solid modern jazz improvisation, with the saxophone repeating figures to gain momentum and then launching into an impressive solo. Drums are muscular and pounding, driving the music forward in an exciting manner. As the saxophone drops out the rhythm becomes more pliant, developing a relaxed groove that works quite well. Dawkins comes back in with some urgency, pushing the music forward and developing a sense of propulsion the suits the music quite well, as he stretches the boundaries of modern jazz with overblowing, before fading to a stop. Yearning saxophone opens "And the Light" making for a heady atmosphere, building a punchy theme that has percussive piano and drumming setting the stage for the saxophone to leap into action with tart flurries of notes that are raw and scalding in their action. There is a fine piano solo, with Iyer pulling at the fabric of the music while it continues to swing. The steely sounding saxophone returns, enveloping the rhythm section and demanding more, taking the full band's improvisation into deeper and harsher terrain. "Simultaneous Realities Of A Parallel Universe" is a mouthful, but it is a wonderful performance with very fast paced piano, bass and drums adding an earnest and persistent quality; insisting that the music push onward with a riffing horns adding spice, and then rushing ahead to a powerful statement bracketed by pummelling drums and thick stoic bass. The sharply swinging "South Side Breakdown" encompases the brawny history of Chicago jazz with its swaggering rhythm framing another fine piano interlude played with great discipline and control. Lighter toned saxophone moves in, weaving around the soundscape, carving a very impressive furrow through the rhythmic foundation. The music drops out to a very impressive feature for the bassist, as the band shares the spotlight throughout this lengthy improvisation. "Transient Sounds" shows the band at their most out, with strident free playing making quite an impression, with the rawness of the saxophone meeting a skittering free for all accompaniment creating a collective improvisation of great nerve and stamina. It's a blowout of epic proportions, with relentless pummelling drums and squalls of torrential saxophone. This was an excellent album of modern jazz, and Dawkins is deserving of more attention as a saxophonist and bandleader, bringing together heavyweights with young burgeoning talent and creating excellent music in the process. Ernest Dawkins' Bandcamp Page.

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