Saturday, November 18, 2017

Charles Gayle / Giovani Barcella / Manolo Cabras - Live in Belgium (el NEGOCITO Records, 2017)

This is an exciting free jazz album featuring Charles Gayle on tenor saxophone and piano, Giovani Barcella on drums and percussion and Manolo Cabras on bass. The music presented here was selected from the live concerts in Brussels in January 2015. At nearly eighty, Gayle is playing as strongly and inventively as ever, blowing swift winds of raw tenor and rippling piano over ripe bass and drums. The album opens with "Chiaro Sguardo" which is an excellent track where taut elastic bass and a strong rhythmic sense give Gayle the support he needs to take flight in a blustery and immediate tenor saxophone solo. Gayle has led a difficult life from Buffalo to the streets and then to a hard won respect as an elder statesman of modern jazz, and that pain, strife and grace all come through in his playing. The music plows forth in an exciting fashion with rolling drums and scouring saxophone held together by excellent bass playing. There is a direct and uninhibited sensibility to their playing and the act of improvisation, a connection to each other and the act of spontaneous creation. "Tears" shows Gayle playing in a slow and scouring mode, showing kinship with the early sixties recordings of Albert Ayler, and he plows this fertile soil amidst fractured and uncertain bass and drums which allow him the freedom to express himself in such a way. The music is deeply emotional, it cries and sobs in a harrowing manner, but maintains a deeps sense of dignity throughout. The trio comes out hard again on "Di Piccola Taglia," returning to a fast paced collective improvisation, and it is an exciting meeting with their combined energy propelling the musicians, as a full band forward as they play aggressive free jazz, with Gayle encouraged by Cabras and Barcella to really dig in. Tenor, bass and drums rhythmically connected in the fray, setting off wildly screaming tenor saxophone solos, before Gayle steps aside for a nice drum interlude to end the selection. He takes to the piano on "Dimmi" playing in a spiritedly nimble manner that works well with snatches of cymbals and deeply rooted bass playing. Gayle is a natural at the piano, and indeed it was his first instrument as a young man. The influence of Bud Powell, Monk and Cecil Taylor bubble up in his sound, but it is clearly his own vision that leads the group into perilous open territory and through the other side in grand fashion. "Steps" hints at the John Coltrane classic "Giant Steps" in the theme Gayle establishes on saxophone, but he quickly moves into a driving improvisation, pulling the bassist and drummer with him into the slipstream. Gayle roars into the mix, and the trio makes for a perfect vehicle for exploring this fast paced modern jazz, grounded in a classic form. There is a frenetic interplay between the saxophone and drums, creating a very exciting rhythmic framework. The musicians are deeply committed to their art and the cooperative approach keeps the music intact, and this leads to a fine conclusion of a very exciting and rewarding recording. Live in Belgium - bandcamp.com

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