Wednesday, December 13, 2017

Mario Pavone Dialect Trio - Chrome (Playscape, 2017)

This is the excellent second album by a trio led by bassist Mario Pavone in the company of Matt Mitchell on piano and Tyshawn Sorey on drums following 2015's Blue Dialect. The album was recorded in June of 2016 at Firehouse 12 in New Haven, CT and opens with "Cobalt" which has a percussive and Monkish feel, and the music comes out bouncy and rhythmic. Thick bass and active drumming cradle bell like piano which offers cascades of notes in a very exciting improvisation, leading to a taut bass solo that is very impressive and muscular. "Glass 10" follows with a slapping bass rhythm leading the full trio into the performance, and keeping the feeling of the music elastic. The trio develops a pulsing and buoyant sounding improvisation, impish and upbeat, developing a unique character, while splashy piano and percussion colors outside the lines in a bold fashion. The three instrumentalists enter together with a fast and percussive sensibility on "Ancestors" with an emphatic tightness that binds the music together, then erupting into a bracing improvisation that drives the music relentlessly forward. Piano and drums crash around the fulcrum that is Pavone's rock solid bass. The music morphs into a skittish free sounding section that is punctuated with seismic rolls of drumming before everything comes together for a vital send off. There is another taut and resonant bass solo to open "The Lizards (For Jim Jarmusch)" before the piano and drums jump in with a bouncy and exciting manner. The music is bright and fun with rippling piano keeping pace with the bounding bass and drums. Entering with leaping strides, "Conic" develops into a dynamic tumbling, rolling collective improvisation creating music that is alive with creativity and promise, including a tight bass led trio feature. "Chrome" comes out hard with a blasting trio opening, articulated in a crisp and clear manner, moving relentlessly forward with a thrilling rumble. Drums and bass are hammering forward relentlessly while Mitchell's piano pounces like an excited cat, and a pulsing bass solo breaks out accompanied by subtle percussion. Finally, "Continuing" is bouncy and uptempo with a fine bass feature reaching out into ripples of piano and stretching and flexing drumming. There is a dynamic drop to a subtle medium tempo, before ending in a thoughtful and colorful fashion. This was a very well played album; the trio is tight and powerful in their playing and their improvisations were risk taking and adventurous. Chrome -

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