Sunday, February 11, 2018

Roscoe Mitchell and Matthew Shipp - Accelerated Projection (Rogue Art, 2018)

This album was taken from a concert recorded at the Sant'Anna Arresi Jazz Festival in Sardinia in 2005 with Roscoe Mitchell on alto and soprano saxophones and Matthew Shipp on piano. These two great musicians have played together many times in a wide range of contexts but this improvised seven part suite pushes and challenges their musicianship to an even higher plane. "Accelerated Projection I" opens the concert quietly, as both men feel out the path before them, with Shipp gently raining down droplets of piano notes as Mitchell glides around, gradually gaining volume and speed. The music really begins to lift off as Mitchell gets pinched swirls of sound that penetrate the piano and the engagement of the two musicians is confident and thorough. The music emanates in waves that ripple out from the two musicians and this is shown even more clearly on "Accelerated Projection IV" where the music is more strident and forceful, and the two really lean into their respective instruments, creating a chaotic maelstrom of sound that is very exciting to hear. Mitchell is relentless on alto saxophone, playing with a power and sustained level of effort that is very impressive. Shipp responds beautifully with complex runs of notes and chords that cover the length of the piano and add fuel to the fire of an explosive improvisation. The music is taut and immediate with Mitchell's sharp and acidic saxophone underpinned by Shipp's mastery of the low end of the piano. The music they create is alarming and arresting, never resting on their laurels but continuously in search of the next adventure. Mitchell is simply a is a force of nature, taking the saxophone to the highest levels of improvised sound, as Shipp provides thunderous accompaniment and encouragement. "Accelerated Projection VI" has percussive piano shards opening their improvisation, and this leads to their longest performance on the album at over thirteen minutes. They trade notes and phrases, gradually building a structure and context for the performance, and developing a unique rhythmic setting. There is an intricate section for fluttering saxophone and skittish piano, which is very fast and develops an intriguing latticework of collective improvisation. Mitchell's soprano saxophone playing is astonishing, with the breadth and depth of sound which he is able to create, like a whirling dervish of otherworldly sound, relentlessly playing without stopping, and Shipp is the perfect foil, creating an ever changing landscape of piano alongside him. This was an excellent album, with two masters of their instruments perfectly matched, and creating vital music live and entirely in the moment. Accelerated Projection -

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