Sunday, March 04, 2018

Keith Jarrett / Gary Peacock / Jack DeJohnette - After the Fall (ECM, 2018)

When pianist Keith Jarrett traveled to Newark, New Jersey in November 1998, it was an auspicious occasion, marking his return to live performance after a two-year battle with debilitating chronic fatigue disorder. He joined by his longtime partners in the so-called Standards Trio, bassist Gary Peacock and drummer Jack DeJohnette. They had been a group for fifteen years at this point, and had amassed a wide ranging book of popular songs and jazz standards which they delved into on this recording, beginning with a nearly sixteen minute version of "The Masquerade Is Over" which answers any questions of Jarrett's health with a powerful performance, combining texture, dynamics and the trust this band has built up over the years to rip though a lengthy high wire improvisation without missing a step. Charlie Parker's "Scrapple From The Apple" is a joy to hear, as the revels in some storming bebop, making this a highlight of the recording, and creating a blasting trio improvisation which incorporates strong bass and drum solos. "Old Folks" is a ballad that features beautiful brush work from DeJohnette, creating a subtle and dreamy feel, and he is equally at home supporting a sublime bass solo. The melody of "Autumn Leaves" gets the crowd excited  and the band responds with a fast paced collective improvisation spinning their own textiles from the threads of the familiar song. This is rapidly swinging improvisation that only a profoundly talented group can achieve, akin to driving a luxury car as they cruise through a lengthy performance. Peacock's throbbing bass is the heart of the performance, the point of gravity around which the trio moves through space. But they really hit their stride with another bebop flag waver, Bud Powell's "Bouncin' With Bud" and they swing effortlessly at high speed from the melody as the piano sprinkles drops of gentle notes like a summer shower, leading the band to rip through the song at high speed slaloming through the tricky bebop in a very exciting manner. Jarrett fades back allowing a classy bass solo over a quiet but insistent cymbal beat before coming back to lead the group to a massively swinging conclusion. The Sonny Rollins composition "Doxy" has a jumping theme that the group embraces, with loping bass and bright piano and a foundation of crisp drumming. They drop into a medium tempo and swoop grandly throughout the performance. "I’ll See You Again" begins as a ballad with a bass feature backed with brushes, but the piece evolves into a mid-tempo performance with thick bass balancing the rippling piano and swaying drums. "Late Lament," however is a proper ballad, played with open space and symmetry, while "One for Majid" has a bright and bouncy medium percolation but can be a little grating on the ears as Jarrett's infamous vocalization becomes quite audible. A late highlight to the set is a performance of John Coltrane's "Moment's Notice" as the band creates an exciting and fast paced joyride with strong rhythm and keyboard driving the music forward with the drums swinging mightily as DeJohnette puts his indelible stamp on the proceedings. This album is another fine entry into the catalog of the Standards Trio, and Jarrett's discography as a whole. He was clearly inspired after regaining his health and this sense of inspiration led to a memorable concert. After The Fall - amazon.com

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