Thursday, March 15, 2018

Matthew Shipp Quartet - Sonic Fiction (ESP-Disk, 2018)

This is an excellent album of modern jazz from the quartet of Matthew Shipp on piano, Mat Walerian on alto saxophone, bass clarinet and clarinet, Michael Bisio on bass and Whit Dickey on drums. The group will re-configure itself throughout the album, opening up interesting sections for solos, duos and trios within the full band framework. The album begins quietly with "First Step" as Shipp provides deep blue chords in open space for the saxophone to weave around amidst gentle bowed bass and cymbal play. The spare and beautiful piano that opens "Blues Addition" has a sense of melodic grace, as notes and chords ring and resonant in the air. After two minutes, the bass and bass clarinet are featured, keeping the meditative nature of the music intact, as piano and drums are absent, while "The Station" has long tones and quick swirls of clarinet unaccompanied in space, layering interesting textures in a solo statement, that is a great feature for Walerian's playing. The full band comes together at a faster pace on "Lines of Energy" which has a skittish and nervous flow to it. Their collective improvisation is rapidly streaming and exciting to hear, with raw saxophone weaving in between the taut rhythm and with pungent piano. Shipp's deep and strong piano playing is center stage for "Easy Flow" gaining volume and resonance as the music evolves through percussive jabs and lightning fast filigrees, creating a great solo piano performance. Tight bass playing lays the foundation for "The Problem of Jazz" which quickly adds short cells of slashing drums and saxophone, creating a very compelling narrative that is based on propulsive bass playing and bursts of free jazz noise. After the ringing introduction of "The Note," the piano, bass and drums unit takes command with a forceful "3 by 4." The music is fast paced and alert, careening forward in a compelling fashion, with Shipp's muscular piano colliding with the active bass and drums building deeply coherent energy where the three musicians play steep and fast, energetic, before the saxophonist joins them about halfway through and takes things to a thrilling new level with an explosive collective improvisation. "Cell in the Brain" returns to a more open ended feel with clarinet and subtle percussion carving a channel through the air with interjections from piano, plumbing the low end of the piano for a deeper atmosphere. The longest track on the album is the concluding "Sonic Fiction" which brings together all of the aspects of the prior performances into one long summation. The quartet plays thoughtfully, carving space within which to improvise, at times dense and passionate, while also blooming into open space, with the saxophone and piano leading the way, adding some excellent adding further depth and variety to the music, even dropping into some deeply swinging freebop sections as the piece develops. Sonic Fiction - amazon.com

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