Tuesday, December 04, 2018

Myra Melford's Snowy Egret - The Other Side of Air (Firehouse 12, 2018)

Taking inspiration from creators in fields from art to spirituality, pianist and composer Myra Melford wrote ten original pieces for her Snowy Egret group which features Ron Miles on cornet, Liberty Ellman on guitar, Stomu Takeishi on bass guitar and Tyshawn Sorey on drums. The intricate and thought provoking music works very well, and the sense of group dynamics and trust between the musicians is palpable on this very successful album. "Attic" has a wonderful percussion introduction with complex rhythms soon joined by bright piano, guitar and cornet. They move to a more complex abstract percussion led section which is quiet but still urgent, with the group alternating between these freer cells and more melodic, thematic material. The music begins to tumble and cascade faster and faster in a madcap and exciting collective improvisation that gradually ebbs as the group's loud/soft dynamic keeps the music fresh and allows space for a poignant cornet solo. The rhythm section develops a complex and ever shifting series of patterns as the track comes to a crisp and impressive conclusion. "Small Thoughts" has enticingly bouncy piano with a jaunty theme developed by the group at a quick pace with buoyant bass guitar and nimble drumming. Tight guitar notes and cornet add further color amid with cymbal splashes making this a continuously interesting and compelling track. The tempo of the music gradually increases to a simmering boil, where no one instrument dominates, but everyone is really pulling in the same direction and creating a fascinating sound landscape. Stretching over ten minutes "Living Music" unfolds slowly with percussive piano, drumming and choppy cornet setting the pace, as the group gradually fills in their sound which is nimble but not especially loud, with a spidery guitar feature, moving around the shape shifting percussion where the music flows in an organic fashion like a stream meeting the contours of the landscape. The group is capable of producing abundant variations of the themes they choose, allowing for a wide variety of sound and rhythm, untethered to traditional jazz roles, they can vary the pulse, hide it and play freely, creating and excellent and powerfully affecting performance. "Dried Print on Cardboard" has an undulating rhythm and with subtle cornet, creating a fine thematic statement, the music drops to near silence, where a dynamic pause that throws the performance into stark relief. Carefully gathering volume and speed the band's improvisation works well, and consistently deals surprises and a sense of the unexpected. The Other Side Of Air - amazon.com

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