Tuesday, September 20, 2022

Miles Davis - The Bootleg Series Vol. 7: That’s What Happened 1982-1985 (Legacy Recordings, 2022)

The return to duty by the great trumpeter Miles Davis was met with joy by most, consternation by some and anguish by a few. Where the crisply suited young lions were making their mark by returning mainstream jazz to the music that Davis had pioneered in the mid 1960's, his view remained resolutely forward thinking, continuing the fusion he developed before retirement, but with a new generation of sidemen and new technology to experiment with. This is the first time the Bootleg series he moved into the post retirement material (Davis was off the scene from late 1975 - early 1981) and the set consists of two discs of previously unreleased studio recordings from the the studio albums Star People, Decoy and You’re Under Arrest sessions, and a third disc Live in Montreal on July 7, 1983. Most of disc one comes from Star People, where Miles co-produces with Teo Macero who assisted him on many classic albums in the past. You get a sense of what Davis was looking for on the opening "Santana" with shiny synths framing bubbling electric bass and percussion, and some electric guitar creating a funky and infectious performance. "Minor Ninths Parts 1/2" go in the opposite direction, with spare electronics floating around some beautifully tasteful ballad trumpet. There is a gentle groove on "Celestial Blues 1-3" with choppy guitar and percussion setting the stage for Davis to wander freely and expound at will. "Remake of OBX Ballad and Ballad Sessions" demonstrates that Miles still has that tone that sounds like nothing else, framed by synth and spare percussion, while the sessions show them experimenting with further synth parts and interludes. Coming from the Decoy album sessions "Freaky Deaky 1/2" creates a deep earthy groove that leaves a lot of room for electric bass and guitar interplay. John Scofield is on guitar and he makes some really nice moves on this track. Davis's treatment of pop songs was a hallmark of his final period, perhaps none more so than the Cindi Lauper ballad "Time After Time," here presented as an alternate take and full session. The trumpeter plays with exquisite beauty and taste, making as much with modern pop as he did with standards and show tunes in his early career. Another pop song, Michael Jackson’s “Human Nature” is also included, with Davis adding tasteful trumpet asides to the theme, and carrying the song with a light touch, backed by electric piano and bass. The live album is an impressive one, Davis sounds vibrant, playing over a rich funky stew on the opening track, "Speak (That’s What Happened)." Darryl Jones on bass, Al Foster on drums and percussionist Mino Cinélu keep the pot boiling and Davis also has Scofield on guitar and Bill Evans on saxophones for this performance. Scofield solos at length and with some ferocity on "Star People" getting a potent feature. "What It Is" is a quick and flashy interlude for saxophone and electronics, Davis is always generous with his sidemen, but usually has the last word. Achingly emotional trumpet anchors "It Gets Better," while "Hopscotch" is a blistering up-tempo performance for the whole band. Moving dynamically from dark to light keeps the music in motion and the crowd excited. Davis leads the theme on "Jeanne Pierre" and takes the group into a lengthy performance where everyone shines. "Creepin' In" is the finale, a spacey and interesting track that spools out on synth and keyboard, breaking through with bursts of trumpet, guitar and flute. Overall this is a well done and presented set, one that shines a light on one of Davis's more unappreciated periods and shows the inner working of how the early comeback albums were made, and a live date that demonstrates their summation. The Bootleg Series Vol. 7: That’s What Happened 1982-1985 - amazon.com

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